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Artist Interviews 🍋 Andreea Pislaru Artist Interviews 🍋 Andreea Pislaru

Bárbara Ramos: Reflecting on the Corporeal, Mental and the Spiritual

An Interview between Round Lemon’s Zest Hall Curator Andreea Pislaru, and Bárbara Ramos, our first artist in residence. The artist investigates the contrast between the real and the imaginary, light and dark, the dreamlike and the non-place. Her creatures are a pure expression of existence without any baggage or influence from the material world.

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The Biomorphic Forms of Irina Laaja.

Exhibited in Round Lemon’s ‘Earth’, ‘Body’ and ‘ONE’ exhibitions, Laaja’s work toys with notions of both the body and the absurd. In this interview, we briefly re-visit her work ‘I wanted to be a monument but I guess I’m just a body’, whilst discovering more about her recent practice.

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Artist Interviews Jessica Saunders Artist Interviews Jessica Saunders

Capturing Sexism’s Outlandishness: An interview with Gemma Moore.

Gemma Moore – multi-media artist – talks to us about her innumerable inspiration and desire to tackle ingrained sexist attitudes through her work. Her photography series, for Round Lemon’s recent exhibition ‘April Fish’, explores gendered issues and sexism in contemporary society, playing into the theme of humour through the outlandish and the uncanny.

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Organised Chaos: The Work of Fiona Campbell.

Winner of the Round Lemon Award 2021, Sculptor Fiona Campbell uses intuitive processes with discarded materials to create assemblages of organised chaos. Campbell’s organic process of making and attentive eye for line and form captivated the Round Lemon team, and here she talks to us more about her making process and influences.

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Nikolay Vlahov and the Abstraction of the Soul.

Participating in both Round Lemon’s ‘Earth’ exhibition and ‘ONE’ exhibition, Nikolay Vlahov has kindly shared more about his abstract painting practice with us. Here he talks to us about his abstract paintings as an emotional passage to the soul, and reflects on his own personal dialogue of contemplation in his work.

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Interview with Rosie Stronach.

I use art to overcome the difficulties I face as a dyslexic and dyspraxic, translating complicated thoughts and feelings into a universal visual language. I have used art since childhood to communicate and as my vocabulary grows and critical thought develops, so does my practice. Art is a tool to educate, creating a space for debate, collaboration and critical thought.

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Interview with Olivia Burnett.

I make art because it’s a way to start a conversation with people who I wouldn’t otherwise be able to reach. People often aren’t willing to talk about issues which I feel are important, but with artwork you can trigger an emotional response which can open up further discussion and lead to education.

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